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The Gold HD Sled holds any high definition, video or film camera weighing between 13 and 40 pounds and incorporates sophisticated engineering and precision machining to make it lightweight and strong. The head has a custom-designed video distribution amp installed for clear HDSDI, SDI or composite signals, and incorporates a drop in style dovetail camera plate for quick front to back balance. The HD Sled has a “no-tools” Telescoping Center Post. The base for the sled accepts up to three Sony V Lock batteries delivering 12 volts to the base (for the monitor) and either 12 or 24 volts (switchable) to the head for use with video or film cameras. |
STEADICAM |
LOOSE CANNON FILMS 2009 |
Kits include: HD Sled (any HD, tape or film camera 12v or 24v) Vest Arm Mashal HDSDI LCD Marrell daylight green screen Panasonic LCD BFD remote focus - iris - zoom kit (Focus Tx, Iris-Zoom Tx, recievers x 2, incl remote run/stop) Heden M28 motor Palomar M1 motor Cables for Arri, Panavision, Aaton etc VOCAS zoom / focus controller (for Canon or Fujinon lenses) Wireless Tx and Rx (incl high gain antenna) Wireless hand-held monitors x 3 Steadicam set-up comes complete with trolley which also holds the steadicam. This means easier transport between sets and can also serve as a bench for a video split. The trolley wheels into Leigh's Mercedes van without dismantling, saving time between moves. |
Photos: Panavision Genisis at Warner Studios, Pete Murray music video, State of Origin, Wallabes Rugby. |